News – Núcleo de Estudos Irlandeses

Controle Manual

https://open.spotify.com/episode/07SHqRGR6T5yZXev8Fleon?si=gbz_lKaFQAWRHv2Lt6xudg

There is currently no transcript for this audio.

Title	Controle Manual
Description	Controle Manual , uma peça de humor ácido e provocador que questiona o que é ser humano, retrata um casal de jovens, Mark e Violet, em uma época em que o uso excessivo de tecnologia para corrigir imperfeições, ou simplesmente para aprimorar habilidades físicas, havia se tornado possível e normal. O casal, entretanto, tenta resistir a esse fenômeno e à sociedade que o aprova e facilita. Enquanto Mark e Violet esperam o nascimento de seu primeiro filho, surgem revelações inesperadas e comprometedoras, que ameaçam seu mundo, seus corpos e seu relacionamento perfeito. Este projeto faz parte de um escopo maior de pesquisa e extensão para divulgação da cultura teatral e poética irlandesa do Núcleo de Estudos Irlandeses e também do um projeto de pesquisa em teatro irlandês contemporâneo escrito por mulheres (2015-2021) sob coordenação da Profa. Dra. Alinne Balduino Pires Fernandes.
Participants	Alinne Fernandes, Guilherme Eying, Jéssica Soares Lopes
Date	26/03/2025
Language	Portuguese – BR
Category	Radio Drama
Subject	Drama; Northern Ireland; United Kingdom;
Type	Audio
Format	MP3
Duration	00:45:25
Size	499 MB
Rights	Núcleo de Estudos Irlandeses – UFSC

Deixe um comentário Cancelar resposta

Como criar sua própria Sereia

There is currently no transcript for this audio.

Title	Como criar sua própria Sereia
Description	Adaptation and translation from Marina Carr’s homonymous short story, by Alinne Balduino P. Fernandes
Participants	Tradução e adaptação: Alinne Balduino P. Fernandes Direção: César Lignelli Composição de sonoridades: Guilherme Mayer Atrizes e Atores: Alinne Balduino P. Fernandes, Arthur Fernandes da Silva, César Lignelli, Estela Vieira Lignelli, Guilherme Mayer, Sulian Vieira
Date	2023
Language	Portuguese – BR
Category	Radio Drama
Subject	Drama;
Type	Audio
Format	MP3
Duration	25:05
Size	57,4 MB
Rights	Núcleo de Estudos Irlandeses – UFSC

CALL FOR PAPERS

VIII FORUM OF NÚCLEO DE ESTUDOS IRLANDESES AT UFSC: SPACES, PLACES AND PSYCHOGEOGRAPHIES OF IRELAND

Guest speakers: Dr Paul Delaney (Trinity College Dublin); Dr Deirdre Flynn (Mary Immaculate College); Northern-Irish writer Lucy Caldwell.

Spaces change over time. They may change due to climatic disasters, war, gentrification, or economic crises or booms, to name but a few reasons. Spaces also become places once they are embedded with affect and cultural signification, to paraphrase from Denise Lawrence-Zuniga (2017). In the specific case of Irish Studies, Gerry Smyth (2001) has stated that the interest in “the Irish local place” persists. The study of spaces has its
origins in geography, but is here extended and applied to the study of the arts and literature.

In the 8th edition of UFSC’s Irish Studies Forum, we invite contributors to submit proposals on how certain spaces in both Ireland and Northern Ireland have changed over time. How have they been shaped so that they become places of affect, memory, or trauma? How are they represented in Irish literature, drama, and cinema?

Proposals for papers that address the theme of the event – Spaces, Places and Psychogeographies of Ireland – including comparative, translation, or intersectional studies, of 15-20 minutes, should include:

Author’s name
Title of paper
Abstract (150-200 words) and
Author’s bio (100-150 words),

in Times New Roman 12, preferably in English, although Portuguese is also accepted.

Please submit your proposals to ufsc.nei@gmail.com by August 9th, 2024.

The event will be held in person, with no registration fee. Proposals covering othertopics within Irish Studies will also be considered, based on availability of slots, at thediscretion of the organising committee.

Cultura em Ação | Meu nome, posso te falar o meu nome? – Uma produção radiofônica

Title	Cultura em Ação \| Meu nome, posso te falar o meu nome? – Uma produção radiofônica
Description	Cultura em Ação: Apresentação de ações culturais e artísticas apoiadas pela SeCArtE – UFSC. Este projeto contempla a tradução e montagem da peça teatral My Name, Shall I Tell You My Name?, (1989), de Christina Reid (1942-2015), no formato de drama radiofônico, incluindo um processo de pesquisa sobre drama radiofônico no país e no mundo, com foco para as produções em língua inglesa. Para a execução deste projeto, a equipe vinculada realizará, sob a coordenação da Profa. Dra. Alinne Balduino Pires Fernandes, atividades de: pesquisa, estudo, ensaio, produção, gravação, edição e divulgação, com posteriores exibições para a comunidade acadêmica e o público em geral, além de construir um acervo com as informações e documentos encontrados durante o processo. A peça de dois atores, permeada por analepses e solilóquios, trata da solidão de um velho avô, Andy, ex-combatente da I Guerra Mundial em nome da coroa britânica, e da jovem Andrea, que deixa seu avô em Derry, em busca de uma vida mais promissora em Londres. A peça, que expõe preconceitos políticos e raciais no Reino Unido do fim dos anos 1980, pode ser um instrumento para reflexão crítica de questões contemporâneas brasileiras. Este projeto faz parte de um escopo maior de pesquisa e extensão para divulgação da cultura teatral e poética irlandesa do Núcleo de Estudos Irlandeses e também do um projeto de pesquisa em teatro irlandês contemporâneo escrito por mulheres, em andamento no Departamento de Língua e Literatura Estrangeiras (DLLE), sob coordenação da Profa. Dra. Alinne Balduino Pires Fernandes. Espera-se com este projeto publicizar não apenas esse espetáculo, mas desenvolver um gênero já pouco trabalhado no país, o drama radiofônico.
Participants	Mariana Barreiros, Matias Corbett, Larah Roncalio, Kristel Casagranda, Alinne Fernandes
Date	2021
Language	Portuguese – BR
Category	Radio Drama
Subject	Ireland
Type	Video
Format	MP4
Duration	02:31
Size	–
Rights	SeCArtE – UFSC

Leitura dramática de Eclipse | Trecho 4

< Previous

Title	Leitura dramática de Eclipse \| Trecho 4
Description	Eclipsed is a two-act play written by playwright Patricia Burke Brogan. Her work addresses the inhuman and marginalizing treatment of ‘fallen women’ by the Irish government and the country’s religious institutions in the 1990s. The play received a dramatic reading by Universidade Federal de Santa Catarina (UFSC) in 2017 as part of an extension project by the Center for Irish Studies — Núcleo de Estudos Irlandeses (NEI) — in collaboration with the Performing Arts course at the aforementioned institution.
Participants	Translation: Alinne Fernandes Sound Operation: Larissa Dias Peligrini • Sophia Catarina Rosa Light Board Operation: Paulo Ricardo Witt Tomazoni • Nilson José da Silva Cast: Anna Lia Araújo Sant’Anna • Joelma Santos Souza • Kyttiane Nayara Kittel • Leonardo Vieira • Lidiane Nobre de Mesquita • Mariana Barreiros • Marlei Albrecht • Taciane Saldanha Dürings Photography: Wagner Locks
Date	28th April, 2017
Language	Portuguese – BR
Category	Event
Subject	Ireland
Type	Video
Format	MP4
Duration	20:11
Size	1,17 GB
Rights	Núcleo de Estudos Irlandeses – UFSC

Núcleo de Estudos Irlandeses Logo

Nucleo-de-Estudos-Irlandeses-logo-Download

Nucleo-de-Estudos-Irlandeses-logo-Black Download

Nucleo-de-Estudos-Irlandeses-logo-White Download

Title	1. Nucleo-de-Estudos-Irlandeses-logo- 2. Nucleo-de-Estudos-Irlandeses-logo-Black 3. Nucleo-de-Estudos-Irlandeses-logo-White
Description	Image files for the logo of Núcleo de Estudos Irlandeses
Participants	Design by:
Date	27/05/2024
Category	No Category
Subject	Núcleo de Estudos Irlandeses – UFSC; Logo;
Type	Image
Format	PNG
Size	1. 50,8KB 2. 43,4KB 3. 40,1KB
Rights	Núcleo de Estudos Irlandeses – UFSC

Interview with Marina Carr

Interview-with-Marina-Carr-audio Audio Download

Transcript-Interview-with-Marina-Carr Transcript Download

Title	Interview with Marina Carr
Description	Marina Carr (1964- ) is a playwright from Dublin. Carr holds a BA in English and Philosophy from the University College Dublin, alongside an honorary Doctorate of Literature from the same institution. Carr’s debut play, Ullaloo, was published in 1989, and since then, she has acquired an incredibly prolific career. Some of her most notable works include Portia Coughlan (1996), By the Bogs of Cats (1998), Woman and Scarecrow (2004), and Hecuba (2015). As of 2024, her most recent play is Audrey or Sorrow (2024). Carr has won various prizes for her body of work, including the Irish Times Playwright Award (1998), the Macaulay Fellowship, the Hennessy Award, and the Windham-Campbell Literature Award (2017). In addition to her writing career, Carr has also taught at universities, such as University College Dublin. In this interview, Carr discusses contemporary theatre and the process of playwriting, sharing insights on the creation of a character, while describing anecdotes of her life. Aside from the aforementioned, considering her then-released adaptation of Tolstoy’s Anna Karenina (2016), Carr sheds light on the practice of adapting a novel, the production aspect of a play, and language, most specifically about how Hiberno-English shapes her art. Furthermore, Carr converses about writing and politics, questioning the meaning of writing and writers in a larger socio-political context alongside the importance given to the author over the art and the culture of the man-messiah. The interview was conducted by Alinne Fernandes, Ph.D., Senior Lecturer of the Federal University of Santa Catarina (UFSC) in the English Department, at the Henrique Fontes Auditorium-UFSC in Florianópolis, Brazil as part of the II Jornada do Núcleo de Estudos Irlandeses, “Protean Spaces in Irish Literature, Theatre and Film”, on November 7th, 2017.
Participants	Marina Carr, Alinne Balduino P. Fernandes
Date	November 7th, 2017
Language	English
Category	Interview
Subject	contemporary theatre; theatre adaptation; language; politics;
Type	Audio
Format	MP3
Duration	47:40
Size	83,8 MB
Rights	Alinne Balduino P. Fernandes

Interview with Stacey Gregg

This interview is currently not available.

This audio is currently not available.

Transcript-Interview-with-Stacey-Gregg Transcript Download

Title	Interview with Stacey Gregg
Description	Stacey Gregg (1983- ) is a writer and director from Belfast. Gregg has a BA in English from the University of Cambridge and an MA in Documentary Film-Making from Royal Holloway. Having written numerous plays for theatre, her first full-length play, Perve, was performed by Abbey Theatre in May 2011, and proceeded to win the BBC Radio Drama award at the 2012 Stewart Parker Trust Awards, Gregg’s other plays include Override (2013), Shibboleth (2015) and Scorch (2015). In 2021, Gregg directed and wrote her first feature film, Here Before, which won Best Film at Galway Film Fleadh. Aside from theatre and cinema, Gregg also wrote for television, including The Innocents (2018) and The Frankenstein Chronicles (2015-2018). As of 2023-2024, Stacey Gregg is a Seamus Heany Fellow. In this interview, Gregg talks about theatre: the reception and circulation of her plays in Ireland and Northern Ireland; the forerunners of female playwrights and how she fits in these conversations; and the differences and similarities of writing for other mediums, such as cinema. Aside from the aforementioned, Gregg also discusses the sociopolitical landscape of Northern Ireland and the Troubles: how the event and its consequences and her identity as a Northern Irish influences her works. Furthermore, in dialogue with the theme of the V Jornada do Núcleo de Estudos Irlandeses, Gregg theorises about science-fiction and technology, inquiring about boundaries and wanting to transgress its limits. The interview was conducted by Alinne Fernandes, Ph.D., Senior Lecturer of the Federal University of Santa Catarina (UFSC) in the English Department, online as part of the V Jornada do Núcleo de Estudos Irlandeses – Intersections Of Irish Literature, Theatre And Technology, on November 12th, 2021.
Participants	Stacey Gregg, Alinne Balduino P. Fernandes
Date	November 12th, 2021
Language	English
Category	Interview
Subject	theatre; female playwrights; Northern Ireland; science-fiction;
Type	Audio
Format
Duration
Size
Rights	Alinne Balduino P. Fernandes

Recording the play “Meu nome, posso te falar o meu nome?”

Title	1.Processo de gravação de Meu Nome_1 2.Processo de gravação de Meu Nome_2 3.Processo de gravação de Meu Nome_3 4.Processo de gravação de Meu Nome_4 5.Processo de gravação de Meu Nome_5 6.Processo de gravação de Meu Nome_6 7.Processo de gravação de Meu Nome_7
Description	Photos from the recording process of the play “Meu nome, posso te falar o meu nome?”.
Participants	1.Matias Corbett Garcez and Mariana Barreiros. 2.Matias Corbett Garcez. 3.Matias Corbett Garcez and Mariana Barreiros. 4.Matias Corbett Garcez and Lara Roncalio. 5.Matias Corbett Garcez, Mariana Barreiros and Lara Roncalio. 6.Matias Corbett Garcez and Mariana Barreiros. 7.Matias Corbett Garcez.
Date	06-10 december 2021
Category	Radio Drama
Subject	Audio recording; Drama
Type	Image
Format	JPG
Size	1. 3,34 MB 2. 2,73 MB 3. 3,19 MB 4. 3,25 MB 5. 3,12 MB 6. 4,14 MB 7. 2,98 MB
Rights	Núcleo de Estudos Irlandeses – UFSC

Book of Abstracts VII Jornada NEI

Book-of-Abstracts-VII-Jornada-NEI Download

Title	Book of Abstracts VII Jornada NEI
Description	Book of Abstracts for the VII Jornada of the Núcleo de Estudos Irlandeses – UFSC
Participants	Chris Morash, Vitor Alevato do Amaral, Rosaleen McDonagh, Angélica Alves de Lima, Catherine Ann Cullen, Eloísa Dall’Bello, Gabriela Terezinha Paulo, Janaina Mirian Rosa, Júlia Leite Serrano de Lima, Kaio Moreira Veloso, Luana Helena Uessler, Maria Eduarda Sonda Moraes, Melina Pereira Savi, Pedro Luís Sala Vieira, Thalyta Bianca Pinto Aguiar Argivaes, Vinicius Garcia Valim, Alinne Balduino P. Fernandes, Beatriz Kopschitz Bastos, Janaina Mirian Rosa,Jéssica Molgero Da Rós, Jéssica Soares Lopes, Melina Pereira Savi and Thalyta Argivaes.
Date	7/11/2023
Category	Event
Subject	Irish arts, Disabilities
Type	Document
Format	PDF
Size	38,9 MB
Rights	Núcleo de Estudos Irlandeses – UFSC